G|-----2-.-------2-.-------------| D|---2---4---4-4---4-------------| A|-4-------------------4-4-4-4-4-| E|-------------------------------| Then this is through most of the song: G|---------------2-.-------------| D|---2-3-4---4-4---4-------------| A|-4-------------------4-4-4-4-4-| E|-------------------------------| Here is my version of the guitar rhythm that enters next: E|---------------------------------------| | B|--------------------------------------| :|| G|---------------------------------------| | D|---------------------------------------| | A|------4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-4-| :|| E|------2-2-2-2-2-2-2-4-4-4-4-4-4-4-4-4--| | pm. . . . . . . . . . . . . . . . ^ ^ ^ ^ Note 1: you can hear some chord shifting because he plays the second chord differently -- you can try this one: -6- or -6-| -4- -4-| --- -4-| Before the change, only the first chord of the previous rythm is used, then the next part goes: E|---------------------------------------------------| B|---------------------------------------------------| G|-6-6-6-6-6-----------------4-4-4-4-4---------------| D|-6-6-6-6-6---2-2-2-2-2-2---4-4-4-4-4---6-6-6-6-6-6-| A|-4-4-4-4-4---2-2-2-2-2-2---2-2-2-2-2---7-7-7-7-7-7-| E|-------------0-0-0-0-0-0---------------------------| ^ ^ ^ ^ ^ ^ Note 2: he probably plays more notes in this chord and plays it lower on the neck, or maybe it's wrong. Try something like: -1- -2- -2- -0- Then we have this part, a variation of the main rhythm: E|------------------------| ---| B|------------------------| Note 3: ---| G|----------------6-6-6-6-| the chord that -9-| D|-4-4-4-4-4------6-6-6-6-| is added sometimes -9-| A|-4-4-4-4-4------4-4-4-4-| (e.g. at the end of -7-| E|-2-2-2-2-2--------------| the song) is an E: -0-| A cooler variation of this part appearing a few times is: E|----------------------------------| B|----------------------------------| G|-------------------------6---6----| D|---------4-----4---------6---6----| A|---------4-----4-4-4-4-4---4---4--| E|-2-2-2-2---2-2--------------------| pm . . . . . . . . . . . . . . .