A: G|----------------|----------------|----------------|----------------|----------------| D|------2--02-4---|------2---------|------2---------|----2-4-----2---|----2-4---------| A|0-004-----------|0-004-------0---|0-004-----------|0-4-----0-4---4-|0-4---------0---| E|----------------|----------2-----|----------2-2---|----------------|----------2-----| B: G|----------------|----------------| D|----------------|----------------| A|0-------07------|09------09------| E|----------------|----------------| C: G|----------------|----------------| D|----------------|----------------| A|0-------07------|05--------------| E|----------------|----------------| D: G|----------------|----------------| D|----------------|----------------| A|0-------07------|0---------------| E|----------------|----------------| E: G|----------------|--------11------| D|----------------|----------------| A|0-------7-------|9---------------| E|----------------|----------------| F: G|----------------|--------11------| D|----------------|----------------| A|0-------7-------|9-------------9-| E|----------------|----------------| G: G|----------------|----------------| D|----------------|----------------| A|7-------7-------|7-------5-------| E|----------------|----------------| H: G|----------------| D|----------------| A|9-------7-------| E|----------------| I: G|----------------|-----14----36---| D|--------------2-|4---2-----4-----| A|0-----------04--|----------------| E|----------------|----------------| Order: A* x3 B**x2 C x1 D x1 A x2 B x2 C x1 D x1 A x1 E x1 F x1 G x1 break for 2 measures or pluck open A's to your hearts content B x2 C x1 H x1 I x9 fade out. During the fourth time, skip the 042-4--- in the middle. *Bass starts at 7th measure of song (after "under the roof of the 19th floor") with the 2nd measure in 'A', but you can start at the beginning with the begining of 'A' if you want. It sounds like Paul switches between playing F# A, as shown, and A A as the last two notes in 'A'. Pick one or alternate, whatever you like. **Sometimes he does the hammer-ons in 'B', 'C', and 'D', other times he skips the open string. Sometimes he'll throw in some 8th and 16th notes in 'B', 'C', 'D', and 'E', too. Whatever rhythm you want to make. I think 'I' and the first measure of 'A' have some mistakes, but the copy I tabbed this from has almost no bass. I could barely hear it even after using an equalizer. If you think you can fix it, e-mail me. Tabbed by Marshall Haueter, * Based on the tab by Steven Snider