Intro: Am G F E
Am G F E
Give us this day our daily dose of faux affliction
Am F E
Forgive our sins forged at the pulpit with forked-tongue-selling faux sermons
Am G F E
'Cause I am a new wave of gospel sharp and you'll be thy witness
Am Am G
A gentlemen if you're gonna preach. For God's sake, preach with conviction
Am
Strike out the band! Whoa, the conductor is beckoning
G
Come, congregation, let's sing it like you mean it.
F
No. Don't you get it? Don't you get it?
E
Now don't you move.
Am
Strike out the band! Whoa, the conductor is beckoning
G
Come, congregation, let's sing it like you mean it.
F
No. Don't you get it? Don't you get it?
E
Now don't you move.
Am G
Just stay where I can see you douse the light!
Am Am G Am G F E
We sure are in for a show tonight.
Am G F E
In this little number, we're graced by two displays of character
Am G F E
We've got: the gunslinger extraordinaire v. walking contradictions
Am G F E
And I for one can see no blood from the hearts and the wrists you'd allegedly slit
Am G Am Am F
And I for one won't stand for this. If this scene were a parish, y'all be condemned.
Am
Strike out the band! Whoa, the conductor is beckoning
G
Come, congregation, let's sing it like you mean it.
F
No. Don't you get it? Don't you get it?
E
Now don't you move.
Am
Strike out the band! Whoa, the conductor is beckoning
G
Come, congregation, let's sing it like you mean it.
F
No. Don't you get it? Don't you get it?
E
Now don't you, don't you move.
F Am G
Stay where I can see you douse the lights.
Am
We sure are in for a show tonight!
F Am G
Stay where I can see you douse the lights.
Am G
We sure are in - Stay where I can see you douse the lights.
Am G F E
La la da da la la da . . .
